The New Shows’ Week 2 in Review
Now that I have another week of Nielsen ratings to work with, let’s reevaluate how the new shows are doing. After the fold …
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Now that I have another week of Nielsen ratings to work with, let’s reevaluate how the new shows are doing. After the fold …
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Continuing with the reviews, with a bit more speed and brevity, after the fold …
A brief pause from reviews to discuss the passing of Beautiful Life, and the low ratings of Brothers. Both cases illustrate how much the extratextuals matter. After the fold …
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More reviews, after the fold …
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A pause from the reviews now to look at the new show’s numbers, and to discuss what those numbers tell us about the past five days, the “first official week” of the Fall season. After the fold …
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More reviews after the fold, with comments on gender in Mercy and Eastwick. I’m running out of ways to say things are mediocre to piddling, though …

As I wait for more new shows this week to review, and as I find myself with little to say about the Emmy winners, largely because I agree with or can accept almost all victories (especially Michael Emerson. yay! About bloody time), let’s take a time out to look at some of the extratextuals surrounding the new shows:
I’ve been intrigued by the degree to which, in the wake of Gossip Girl’s past success, The CW has pounced upon the guilty pleasure label as being a great one with which to sell (and, of course, design) a show. Consider the following posters, for GG, Melrose Place, and The Beautiful Life, starting with GG. Analysis after the fold…
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Yes, Jay gets his own post, because NBC thinks it’s worth five other shows. Below the fold …
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